Tillbaka till katalog

Dahlberg´s Suecia Antiqua in contemporary binding

Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding
Dahlberg´s Suecia Antiqua in contemporary binding

Klubbat för:

28000 SEK

Utropspris

25 000-30 000 SEK

Beskrivning

DAHLBERG, ERIK. Suecia antiqua et hodierna. I-III + Index. About 1660-1718.

Folio (c 360x465 mm). With 13-page index at the end. 354 engraved plates (of 355, excluding the extra plate Templum Ulricae Eleonorae, all small plates and Index mounted on larger paper, otherwise on whole paper, only some slight occasional spotting, a few plates browned. About 8 plates with mended marginal tears).
Contemporary brown full calf, somewhat worn, some traces of dampstaining on upper board, mended in upper margin of lower board, corners bumped, richly gilt spine in seven compartments, red spine label, some minor damage at foot, all edges gilt. Bookplate of Victor v. Stedingk.

During his military service and studies in Germany, Erik Dahlberg (1625­1703) became acquainted with Matthaeus Merian the younger, the publisher of "Theatrum Europaeum" and the "Topographies". On his return to Sweden in 1661, Dahlberg obtained a privilege from the Government to make drawings for a similar publication. The engravings for this work were executed from these drawings by a total of 18 artists except for a few, which were based on drawings by David Klöcker Ehrenstrahl and Elias Brenner. The project began in 1667, when a number of plates were engraved by Nicolas and Adam Perelle, Jean Marot, Jean Le Pautre and F. Campion in Paris.
Dionysius Padt Brugge engraved 9 plates in Stockholm 1686-87. In 1687 Dahlberg approached another Dutch engraver, Willem Swidde, who produced 84 plates together with Erik Reitz and Martin Mytens. After Padt Brugge´s death, in 1696, he was succeeded by Johannes Van den Aveelen, who came to Stockholm in 1698. He made no less than 144 engravings. Samuel von Blesendorf in Berlin was employed for the portraits, among other things.

Collijn, Sveriges Bibliografi, 1600-talet, col. 197. Berlin Cat. 1, 2256. Gustaf Edvard Klemming, Ur en antecknares samlingar, Uppsala 1880-82, pp. 165-8. Sten G. Lindberg, Swedish Books, 37.

From the library of Sven Höglind.

Auktionsnummer:

6170

Datum:

2017-06-20